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・ Kōji Kumeta
・ Kōji Makaino
・ Kōji Mitsui
・ Kōji Morimoto
・ Kōji Morisaki
・ Kōji Morooka
・ Kōji Nakano
・ Kōji Nakata
・ Kōji Nakata (disambiguation)
・ Kōji Nanbara
・ Kōji Ochiai
・ Kōji Ogata
・ Kōji Saitō
・ Kōji Saitō (photographer)
・ Kōji Sakai
Kōji Satō (photographer)
・ Kōji Seki
・ Kōji Seo
・ Kōji Seto
・ Kōji Shimizu
・ Kōji Shiraishi
・ Kōji Takahashi
・ Kōji Tamaki
・ Kōji Tanami
・ Kōji Totani
・ Kōji Tsujitani
・ Kōji Tsuruta
・ Kōji Ueno
・ Kōji Uno
・ Kōji Wada


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Kōji Satō (photographer) : ウィキペディア英語版
Kōji Satō (photographer)

was a renowned Japanese amateur photographer, particularly in the 1930s.
was born in Kumagaya, Saitama on 1 November 1911. From the age of thirteen Satō had a Thornton reflex camera; on his graduation from school he took photographs in his free time from his work in a bicycle wholesaler. He was given the ''nom de guerre'' when young.
From 1931 his photographs appeared in ''Camera'' and ''Shashin Geppō,'' and from 1933 in ''Shashin Salon.'' Satō's works were selected for the Golden Gate International Exposition in 1940.
After the war, Satō changed the characters for Kōji from to . An energetic and widely exhibited portraitist before and during the war, Satō turned his camera to his parents and his children after the war.
Satō died of tuberculosis on 30 May 1955.
Some of Satō's photographs are in the permanent collection of the Tokyo Metropolitan Museum of Photography,〔As implied by Satō's inclusion, without special disclaimer, within ''328 Outstanding Japanese Photographers.''〕 the Houston Museum of Fine Arts, and Shimane Art Museum.〔''The Photographs of Koji Sato.''〕
==Published photographs==

*''Nihon kindai shashin no seiritsu to tenkai'' () / ''The Founding and Development of Modern Photography in Japan.'' Tokyo: Tokyo Museum of Photography, 1995. Plate 122: "Man in black cape" (, ''Kuromanto no otoko''), 1937.
*''Satō Kōji no shashin'' () / ''The Photographs of Koji Sato.'' N.p.: Kenji Satō, 2001. Captions and text in Japanese and English.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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